BOGGSXFILES
Transcripts / Season 9 / Improbable
Season 9 · Episode 13

Improbable

Character-labelled dialogue prepared from the official DVD subtitle track.

Production code9ABX14Original airdate · April 7, 2002
298 dialogue entries
Scene 01

Opening scene

Unidentified speaker

Bitch.

Mr. Burt

Bartender, seven and seven, pack of morleys.

Wayne

Seven and seven, pack of morleys.

Mr. Burt

[ laughs ] we have a winner.

Wayne

Do I know you?

Mr. Burt

Do you know me? Come on, wayno... I'm part of the regular game. You know your problem, my friend? It's not the cards. It's playing the hand you were dealt. Plenty of guys get a bad deal. It's all in what you do with it. You know what I'm saying, partner? You can think. Cards can't. They just lie there. You've got to make them work for you. Jack of hearts. 2,598,960 possible... Five-card hands. 1,277 flushes in any given suit. 1,098,240 ways to make two pairs, and yet... The game can't beat a man. Man only beats himself and so on and so forth. She comes here every friday and loses her paycheck-- cries all weekend. Such a nice girl. I keep hoping her luck is going to change she'll catch a break. We going to blow this joint? Call it a night?

Unidentified speaker

Hey, wayno.

Mr. Burt

You're bluffing me, right? You're going to show me fifth street. Walk right out of here-- surprise me for a change. Three of hearts... Two of clubs.

[ coins clinking ]

Heavy-Set Man

[ laughing ] I won! I won!

Woman

Oh my god! Help me, please! Help me! Somebody, help me! There's a woman who's been murdered! Somebody help me! Oh, god. She's been murdered.

Scene 02

FBI HEADQUARTERS

Dana Scully

Agent Reyes?

Monica Reyes

Three plus four is seven. Seven and six are 13.

Dana Scully

What are you doing?

Monica Reyes

Ten, 13, 14, 16... I want to ask you to open your mind to something. I don't want you to think I'm crazy, all right?

Dana Scully

Why would I think that you're crazy?

Monica Reyes

Do you believe the universe is knowable as a mathematical calculation of the whole reducible to a single equation?

Dana Scully

No.

Monica Reyes

Why not?

Dana Scully

Because I don't think that its complexity allows for it to be reduced so simply.

Monica Reyes

But you accept that some people do?

Dana Scully

I presume you mean the so-called "unified theory?" what physicists often refer to as the theory of everything? An equation so simple they say that it might be printed on a t-shirt. It's a holy grail in the world of science. Potentially, the most important question that mankind has ever asked. But that such a complex calculation is even possible is the subject of enormous controversy. Is that what you mean?

Monica Reyes

Um... Potentially. Carla marie carpenter, born 02-01-77. Killed outside a nightclub two years ago. Her murder remains unsolved. Judy anne fuller-- born 03-21-69. Killed at a mall two years ago. Unsolved. Julie francis gresham-- born 01-22-80. Killed in her parked car last month. Unsolved.

Dana Scully

Agent Reyes, if there's a connection that I'm supposed to be seeing, I'm not seeing it.

Monica Reyes

And our latest victim amy sheridan aufsberger-- born 04-04-77. Killed two weeks ago in a casino. Police have yet to find her killer.

Dana Scully

Agent Reyes, am I to presume that you've solved these unsolved murders by using some kind of numerical calculation?

Monica Reyes

Letters of names assigned values, added to birth dates reduced to the lowest common denominator. A, j, s, equal one. B, k, t...

Dana Scully

Numerology, agent Reyes? You're trying to solve these cases by using what is essentially a child's game.

Monica Reyes

It's been in use since the sixth century b.c. When pythagoras determined that the world was built on the power and influence of numbers.

Dana Scully

And, uh, when exactly did you stumble upon it?

Monica Reyes

We did it as kids. I still do it. You meet people at a party ask them their birth date. It's kind of an icebreaker. And as I was reading the story of this woman, I calculated she was a 14-- what they call a karmic number-- an extremely significant numerological number. Prompting me to look at all of these other unsolved cases the victims of which also work out to have karmic numbers-- ten, 13, 16.

Dana Scully

So, in other words, you haven't actually solved these cases.

Monica Reyes

Maybe "cracked" is a better word.

Dana Scully

Without any other evidence to directly connect them... Circumstantial or forensic.

Monica Reyes

What?

Dana Scully

Can you enlarge this? Can I see the rest of those photos?

Monica Reyes

What is it?

Dana Scully

There's a pattern in the bruising.

Unidentified speaker

Yeah...

Dana Scully

All four of the victims have it. Three small circles. They might be from a ring that the killer wears.

Monica Reyes

So you're saying these cases are connected. That numerology may actually be driving the killer and that I'm definitely not crazy.

Dana Scully

Or that maybe you're both crazy.

Music

♪ souviens-toi ♪ ♪ ce disque, c'est ton disque ♪ ♪ c'est mon disque ♪ ♪ c'est notre disque ♪ ♪ this record is for you ♪ ♪ este disco... ♪ ♪ es para ti ♪ ♪ luciole ♪ ♪ qui brille dans le ciel de la nuit ♪ ♪ tes yeux... ♪ ♪ illuminent mon existence ♪ ♪ sans tes baisers ♪ ♪ mon coeur ne vivrait pas ♪ ♪ je suis à toi ♪ ♪ ne m'abandonne jamais ♪ ♪ ponciana ♪ ♪ no me abandones nunca más ♪ ♪ ponciana ♪ ♪ inoubliable étreinte ♪ ♪ ponciana ♪ ♪ je vais chanter pour toi. ♪

[ laughing ]

[ speaking italian ]

Mr. Burt

Bravo, bravo. Arrivederci. Arrivederci. Arrivederci.

Unidentified speaker

Wayno.

Scene 03

Scene 03

Mr. Burt

Come stai?

Wayne

Quit following me or you might find yourself dead real soon.

Mr. Burt

Oh, come on, wayno, that's not your style. Doesn't fit your pattern. Far be it from me to rat you out. Can't show 'em what they can't see. Now, two clowns, and a man with a crown. Want to try your luck, sailor? The king runs but he can't hide. How can you lose? Kid stuff. There goes the neighborhood but mr. Money lives right next door. You know there's a secret to this game, wayno and I'm going to tell you what the secret is. Choose better.

Wayne

You got something to say to me, you say it.

Mr. Burt

Son, I just did.

Scene 04

HOTEL KNICKERBOCKER

Monica Reyes

Hello.

Burdick

Uh, there's a clipboard over there with three forms on it. Fill out the top one, or all three if you want to unlock your most secret numbers for love, life and true personal happiness.

Monica Reyes

I'm not here for a personal chart. I'm with the FBI, investigating a series of deaths that seem to have a numerological connection.

Burdick

I give valuable insights to the living. The dead pretty much already know their future.

Monica Reyes

These are murders. I'm looking for your help in trying to solve them.

Burdick

You may overestimate the kind of work I'm capable of here.

Monica Reyes

My hope is in doing the victims' complete numerology you'll be able to draw a picture of the killer.

Burdick

I don't think you understand. I run a little business here. People come to me if they want to improve their lives how to get rich, how to marry the man of their dreams. I mean, look around. If I could actually provide that kind of information... I don't have to draw you a picture.

Monica Reyes

You don't believe in it?

Burdick

At best, it's an art.

Monica Reyes

I have established an undeniable numerological connection between the victims in all of these cases. If I found the killer I might prevent this happening again.

[ sighs ]

Burdick

Let me see what I can come up with.

[ phone ringing ]

Monica Reyes

Monica Reyes.

John Doggett

Monica, you're not going to believe this. We found two more cases-- two more victims to add to this thing. Both with the same marks on their faces. Now, I knew you were good but this... This is career-launching. You better get back here.

[ people clapping ]

Scene 05

Scene 05

John Doggett

Nice work.

FBI agent

Well done. Well done.

Monica Reyes

Thank you.

FBI agent

By brilliantly tying these murder cases together vicap is now working hard to develop a profile on the man we are officially calling the triple zero killer. Through the identification of a pattern he leaves on his victims we have been able to connect six unsolved cases to one murderer. Including these two new cases. Agent Scully will act as a point person on the case forensics. That's three recent killings and three from 1999. The developing pattern now appears to be murders in threes on a serpentine trail up across the eastern seaboard. Agent Doggett will lead the task force and is ready to roll. Here's what we don't know. One, how he chooses his victims. Two, how the killer kills and three, if he'll kill again soon or disappear as he did two years ago.

John Doggett

He may have been incarcerated during those years. We may be looking for someone with a record.

FBI agent

That's an excellent observation.

Dana Scully

The killer is strong. He uses his fists as weapons. Brute force. He is angry, and he acts on impulse.

FBI agent

Good. Important. Agent Reyes we're all working off your lead. Give us the benefit of your special insight into this case.

Monica Reyes

Well... The killer probably has a soul number of either four or six. His birth path is I'm guessing, a nine, or maybe a six. The destiny and realization numbers are definitely karmic. I'll know for sure once I've got the charts from the numerologist, but the killer is almost certainly working off numerical vibrational disharmonies.

[ phone ringing ]

Monica Reyes

That's her now. Monica Reyes.

Burdick

Agent Reyes? I've been running numbers here on the murder victims.

Unidentified speaker

Yes, uh-huh.

Burdick

And the strangest thing has come up.

Monica Reyes

What? What is it?

Burdick

Oh, there's three forms in the clipboard. Fill out the top one, or all three if you want to unlock your most secret--

Scene 06

Scene 06

FBI agent

I want her body sent to quantico. I want facts, I want details. I want agent Scully to go over this woman with a fine-tooth comb.

John Doggett

Yes, sir.

FBI agent

And I want you, agent Reyes to tell me who else knows about this.

Monica Reyes

Knows about what?

FBI agent

About this case, about you coming to this office to see this woman.

Monica Reyes

I don't think I told anyone.

FBI agent

Then how did the killer find his way here? Chance? Coincidence?

Monica Reyes

I... I...

FBI agent

We got a guy working the whole eastern seaboard murdering up and down the coast. Tell me how it is he winds up here in this city, in this building on this floor, in this room on the same day you came here to see her if he didn't know.

Monica Reyes

That's actually why I came to see this woman-- to find out who the killer is why he does what he does when he does it.

FBI agent

We have a reputation to uphold, agent Reyes. The FBI doesn't go to numerologists for the same reason we don't consult horoscopes or palm readers or crystal balls. A killer kills for a reason. He lives in the world of cause and effect, as we all do. He gets an impulse and acts on it. Always the case, even if he doesn't know it and that's how we catch him.

Monica Reyes

If he acts on impulses he can't understand isn't it possible we can't understand them either? Can we not accept that every killer is not driven by the same impulses and that there are some impulses that not every killer kills for?

FBI agent

No.

Monica Reyes

Why not?

FBI agent

Because it's unacceptable.

John Doggett

But if agent Reyes didn't tell anyone she was coming here the only person who would possibly have any idea is somebody at the FBI

FBI agent

An inside job? I don't buy it.

John Doggett

But don't we at least have to accept that as a possibility?

FBI agent

No, we don't.

Monica Reyes

Why?

FBI agent

Because it's highly improbable.

John Doggett

But not impossible.

FBI agent

Six of one, half a dozen of the other.

John Doggett

How would you like us to proceed, sir?

FBI agent

The bottom line is I want results. I don't care how you go about it. What I want is this killer caught. All right, let's get the body out of here.

John Doggett

Maybe you were followed.

Monica Reyes

How? If the killer didn't even know I was looking for him?

John Doggett

I don't know-- you explain it then.

Monica Reyes

This woman called me just before she was murdered. She had something to tell me something she found in the victims' charts.

John Doggett

Their charts?

Monica Reyes

Their numerology a calculation of numbers that rule their lives in 13 different categories.

John Doggett

But a calculation based on what?

Monica Reyes

On names and birth dates.

John Doggett

Because my name is John jay Doggett and I was born april 4, 1960 I got some kind of magic number?

Monica Reyes

Six. Which makes you an active, adaptive, curious person who insists on their independence loves a bargain and above all else wants to be successful.

John Doggett

Well, that describes pretty much anyone.

Monica Reyes

People are people.

John Doggett

Right, they're not numbers.

Monica Reyes

Then what was she calling me for?

John Doggett

I'm going to leave you here to figure that out. I'm going back to the bureau.

[ foreign music playing ]

Unidentified speaker

Buon giorno, wayno.

Scene 07

Scene 07

Wayne

Who do you think you are?

Mr. Burt

Who do you think I am?

[ radio chatter ]

Wayne

Don't say a word.

Mr. Burt

Do I ever?

Wayne

You're just trying to get me caught.

Mr. Burt

I'm just playing a game of dominoes. As long as you're sitting here, though. How are you feeling?

Wayne

Go to hell.

Mr. Burt

Are the reservations in your name? You're a card. You really are a card but I love you. Got time for a quick game?

Wayne

I don't play your games.

Mr. Burt

Not a truer word's been spoken.

[ foreign music playing ]

Scene 08

Scene 08

Dana Scully

The deceased is vicki louise burdick. Upon external examination cause of death appears to be a fatal blow to the maxilla in which a small, three-ring pattern lies. I will begin my internal examination at 6:06 p.m.

[ recorder clicks off ]

Scene 09

Scene 09

Monica Reyes

Agent Scully.

Dana Scully

I've got something to show you.

Monica Reyes

What is it?

Dana Scully

I figured out what the triple-zero pattern on the victim is. They aren't zeros at all. It's the number 666, only worn away. It must be stamped on the killer's ring. 666, the mark of the devil.

Monica Reyes

Of course. How'd you figure that?

Dana Scully

I didn't.

Monica Reyes

Then how'd you discover it?

Dana Scully

Completely by accident.

Monica Reyes

I discovered something, too-- the victims' charts. When the numbers were figured the numerologist found they were a match to her own numbers.

Dana Scully

How did the killer find her?

Monica Reyes

It obviously wasn't an accident.

Dana Scully

And how does that help us find the killer?

Monica Reyes

It doesn't.

[ "inouois" playing ]

Scene 10

Scene 10

FBI agent

Agent Doggett I think we have a psychological profile on the murderer.

John Doggett

What is it?

FBI agent

Based on the amalgam of forensic detail of facts such as time and place the murders were committed and the amount of force used we believe the killer is a man in his mid-20s to late 40s of average build and looks who is driven by rage stemming from a hatred of his mother from a very early age. He was a bedwetter who was made to feel inferior which he took out on the world by killing small animals.

John Doggett

That's it?

FBI agent

Go to work.

John Doggett

That's the average profile of almost every single serial killer the FBI's ever hunted down.

FBI agent

Is that really all that surprising? Is there a problem, agent Doggett?

John Doggett

It's the way agent Reyes found the cases. I don't think she should so easily be dismissed.

FBI agent

You don't believe in this nonsense?

John Doggett

Look at this: the path of the killer forms a number six.

FBI agent

Your point?

John Doggett

I don't know. I just noticed it.

FBI agent

Have you noticed all babies look like winston churchill? Same difference, agent Doggett.

John Doggett

What if this is the killer's pattern? What if the number six has some kind of significance to the murders?

FBI agent

It may... To you and agent Reyes, but not to victim number seven.

Scene 11

Scene 11

Monica Reyes

If we could analyze these numbers I know we could figure this out.

Dana Scully

Well, despite what we know about the victims' numerology about the ring that we think that he wears we really know next to nothing about where to start looking for this man.

Monica Reyes

The answer's going to come to me.

[ bell dings ]

Dana Scully

You going down?

[ bell dings ]

Dana Scully

Thank you. Get out of the elevator! Move!

Wayne

Just be cool. Be cool. All right? Everything's going to be fine. Be cool.

Dana Scully

It's him.

Monica Reyes

He's going down.

Dana Scully

Stairs.

[ "torero" playing ]

Music

♪ avana e 'a cammesella 'e picchè ♪ ♪ torero! Torero! ♪ ♪ olé! ♪

[ tires screeching ]

Music

♪ olé! ♪

Scene 13

Scene 13

Monica Reyes

I'm not getting reception.

Dana Scully

Great.

Monica Reyes

"no service."

Dana Scully

We have to get an apb out on that car. Did you happen to see a plate?

Monica Reyes

No.

Dana Scully

We got all the numbers on this case except for the ones we need.

Monica Reyes

Maybe there's another way out.

Dana Scully

Well, it's only midnight. There's got to be somebody coming in or out soon.

Monica Reyes

How do we know who was driving that car? That it was even him? That's the killer's not still here?

Dana Scully

We're federal agents and we're armed. If you are here and you make any sudden moves we will be forced to consider you a threat.

[ man clears throat ]

Dana Scully

Stay where you are! Right there!

Monica Reyes

Hands where we can see them. Get out of the car slowly.

Mr. Burt

Did I do something wrong?

Dana Scully

Step around the back of the car. I want you to show us some identification.

Mr. Burt

I don't have a wallet.

Monica Reyes

Do you have some form of ID?

Mr. Burt

I don't think so.

Dana Scully

Sir, what are you doing here?

Mr. Burt

Waiting for a friend.

Dana Scully

At midnight in a parking garage?

Mr. Burt

We have this regular game we play.

Monica Reyes

What kind of game?

Mr. Burt

Checkers. The checkers are in the trunk if either of you play.

Dana Scully

Sir, does it look like we're here to play checkers?

Unidentified speaker

No.

Mr. Burt

What are you here for?

Monica Reyes

Get your hands back up in the air. Step forward. Put your hands on the trunk. He's clean.

Dana Scully

All right. Let's pop the trunk. What's all this?

Mr. Burt

Music.

Monica Reyes

You must really like music.

Mr. Burt

Oh, I love it. The classics, of course. Mozart, bach, the earlier jazz: louis armstrong sinatra, doo-wop, elvis, marching bands...

Dana Scully

Sir, enough.

Mr. Burt

Don't get me wrong. I love all music but I prefer the stuff that lasts. You like them? Keep 'em. Thanks to the wondrous world of digital technology I can always make more.

Dana Scully

What time is your friend coming?

Mr. Burt

Soon.

Monica Reyes

What do you want to do?

Dana Scully

I don't know. I don't know.

Mr. Burt

I have some nice dance music.

Dana Scully

We happen to be here, sir because there is a serial killer on the loose.

Mr. Burt

How many did he kill?

Monica Reyes

Seven women now.

Mr. Burt

How are you going to catch him?

Dana Scully

We're not, stuck down here.

Mr. Burt

You sure there's nothing I can do?

Dana Scully

Do you have the combination to the door?

Mr. Burt

No.

Monica Reyes

Do you have a cell phone that works?

Mr. Burt

I wish I did. There's always checkers.

[ "el bodeguero" playing ]

Mr. Burt

Next victim?

Music

♪ siempre en su casa, que santo esta ♪ ♪ el bodeguero y el cha-cha-cha ♪ ♪ vete a la esquina... ♪

Dana Scully

How did we get ourselves into this?

Music

♪ y a tu siempre ♪ ♪ te servira ♪ ♪ y en seguida, corecta ahi ♪ ♪ que con la planta lo encontraras... ♪

[ gunshots ]

Music

♪ del otro lado del mostrador ♪ ♪ mi complaciente y servidor ♪ ♪ en la bodega baila asi ♪ ♪ entre frijoles, papaya y... ♪

Unidentified speaker

Cha-cha-cha!

Music

♪ toma chocolate ♪ ♪ paga lo que debes ♪ ♪ toma chocolate ♪ ♪ paga lo que debes ♪ ♪ toma chocolate ♪ ♪ paga lo que debes, hijito ♪ ♪ toma chocolate ♪

Dana Scully

Agent Reyes.

Music

♪ el bodeguero bailando va ♪ ♪ en la bodega se baila asi ♪

Monica Reyes

Your hair color.

Music

♪ entre frijoles, papaya y... ♪

Dana Scully

I don't believe it.

Mr. Burt

What?

Monica Reyes

What if we're his next victims?

Mr. Burt

You?

Monica Reyes

The seventh victim was a blond.

Mr. Burt

But neither of you are blonds.

Monica Reyes

He kills in threes. Blond, redhead, brunette. The next victims will be a redhead and a brunette.

Mr. Burt

Amazing-- from a game of checkers.

Dana Scully

Who are you?

Mr. Burt

Obviously someone you are very lucky to have run into.

Dana Scully

No. No. You're part of this.

Mr. Burt

How do you figure that?

Monica Reyes

No, it's all in the numbers. It makes perfect sense. The numbers led us to the killer the killer led us to the garage and now all we've done is recognize the killer's real serial pattern.

Mr. Burt

So you're saying I didn't have anything to do with it.

Dana Scully

Hey, keep your hands up.

Mr. Burt

Why?

Dana Scully

I don't know.

Mr. Burt

What's this about numbers?

Dana Scully

Will you just--

Mr. Burt

I'm very good with numbers.

Monica Reyes

The killer is driven by an impulse we believe is numerological.

Mr. Burt

Of course. He's a serial killer.

Dana Scully

No, that's not what she means. She thinks that his acts are determined by a calculation of numbers.

Mr. Burt

So the killer's not in control of his actions. The numbers are?

Unidentified speaker

Yes.

Mr. Burt

Well, are the numbers helping you catch him or are they helping him not get caught?

Monica Reyes

That's a good question.

Mr. Burt

So, it's a kind of a game.

Dana Scully

No, it's not.

Monica Reyes

No, maybe it is. Maybe that's what this is about-- who wins the game.

Mr. Burt

I think she's onto something.

Dana Scully

Agent Reyes, you can't reduce a complex factor as physical and psychological into a game.

Monica Reyes

You're a scientist, agent Scully. Your world is ruled by numbers: atoms, molecules, periodicity. Wow! And wouldn't it follow that everything made from those things is ruled by numbers, too: genes, chromosomes, us, the universe.

Mr. Burt

Go, girl.

Dana Scully

Agent Reyes, that is utter nonsense, okay? It would mean that all we are are checkers on a checkerboard being moved around by some forces completely outside and unbeknownst to us.

Monica Reyes

What did Einstein say?

Mr. Burt

Einstein-- now there's a winner.

Monica Reyes

"god does not play dice with the universe."

Dana Scully

Nor does he play checkers. Look, agent Reyes, you can't reduce all of life all creation, every piece of art architecture, music, literature into a game of win or lose.

Monica Reyes

Why not? Maybe the winners are those who play the game better. Those who see the patterns and connections like we're doing right now.

Mr. Burt

Free will.

Monica Reyes

Maybe we're not the next victims. Maybe we're here because we saw the numbers and read the patterns and we're here to catch the killer.

Dana Scully

But the killer is outside, killing and we are stuck in a parking garage.

Monica Reyes

What if he's not? What if we didn't look hard enough? What if the killer's still down here?

Dana Scully

What are you looking at?

Mr. Burt

The same thing you are.

Scene 14

Scene 14

Mr. Burt

So what now?

Dana Scully

I'll go right. You go left, you, you stay right where you are.

Mr. Burt

Oh, there's no getting rid of me.

[ muffled grunting ]

[ muffled grunting ]

Dana Scully

He's going fast.

John Doggett

Are you okay?

Monica Reyes

Yeah, I think so.

Dana Scully

Can you hear me?

Monica Reyes

Why'd you do it-- kill those women?

Dana Scully

How did you ever find us?

John Doggett

I saw something in his pattern. It made me realize there's going to be nine victims. Maybe you two were going to be eight and nine.

Monica Reyes

Where'd he go?

[ mambo playing ]

Music

♪ I love you ♪ ♪ for sentimental reasons ♪ ♪ I hope you do believe me ♪ ♪ I'll give you my heart ♪ ♪ I love you ♪ ♪ and you alone were meant for me ♪ ♪ please give your loving heart to me ♪ ♪ and say we'll never part ♪ ♪ I think of you every morning ♪ ♪ dream of you every night ♪ ♪ darling, I'm never lonely ♪ ♪ whenever you're in sight ♪ ♪ I love you ♪ ♪ for sentimental reasons ♪ ♪ I hope you do believe me ♪ ♪ I've given you my heart... ♪

[ ringing ]

Scene 16

Scene 16

Monica Reyes

Hello?

Dana Scully

All right, I need to know.

Monica Reyes

What?

Dana Scully

What my numerology is, my number... Whatever you call it. What am I?

Monica Reyes

You're a nine.

Dana Scully

Which means what?

Monica Reyes

Nine is completion. You've evolved through the experiences of all the other numbers to a spiritual realization that this life is only part of a larger whole. Dana, are you there?

Dana Scully

There's something else that's bugging me.

Monica Reyes

What's that?

Dana Scully

Who was that man?

Monica Reyes

God knows.

[ festive italian song playing ]

Music

♪ michelangelo... Telefono per tu ♪ ♪ e chi è? ♪ ♪ e' carlito ♪ ♪ ti avevo detto dal primo appuntamento ♪ ♪ di non portar nisciuno appresso a te ♪ ♪ invece venn'u frate ♪ ♪ na sora e un nepote ♪ ♪ solo nun ci ha na vota ascimm sempre a te ♪ ♪ e m'hai promesso domani chi lo sa ♪ ♪ vegghi sultanto, sultanto con mamma ♪ ♪ pa-a, pa-a, pa-pa-pa-pa ♪ ♪ io mammate, tu ♪ ♪ sempre appriesso, cosi pazzi ♪ ♪ ch'esta viene puri o'faccio nozze ♪ ♪ vu'o ballone ♪ ♪ vu'o babà ♪ ♪ nun se file ♪ camerrà ♪ ♪ guardo a essa ♪ ♪ guardo o'mare ♪ ♪ sto piensando 'a madonna ♪ ♪ tu m'enguaiate ♪ ♪ m'e spuzzanate ♪ ♪ non ve vede chiu ♪ ♪ mammate, sorrete e tu ♪ ♪ io, guai ci'ha già passato ♪ ♪ mammate, papate, fratete, sorrete, ziate ♪ ♪ ma iatevinne ♪ ♪ stronzo ♪ ♪ sto pavannu andai alla ♪ ♪ mire nara chi me da ♪ ♪ ove laso fra n'u mese a sto condola ♪ ♪ carità ♪ ♪ tu m'enguaiate ♪ ♪ m'e spuzzanate ♪ ♪ nun ve vede chiu ♪ ♪ mammate, ziate e tu ♪ ♪ nun ne pozzo chiu ♪ ♪ patete, fratete e tu ♪ ♪ nun me fire chiu ♪ ♪ patete, fratete e tu ♪ ♪ mammate, sorrete e tu ♪ ♪ nun me spose chiu ♪

About this transcript

The dialogue comes from the official DVD subtitle track supplied by Boggsfiles. Speaker and scene attribution was cross-checked against character-labelled reference material. Subtitle wording is preserved while capitalization and spacing are standardized for easier reading.