BOGGSXFILES
Season 8 · Episode 10

Badlaa

Character-labelled dialogue prepared from the official DVD subtitle track.

Production code8ABX12Original airdate · January 21, 2001
206 dialogue entries
Scene 01

Opening scene

[ all hailing taxis ]

[ all clamoring ]

[ speaking in foreign language ]

Unidentified speaker

Sorry, sorry.

Beggars

[ people shouting ] paise! Paise!

Customs Agent

Home to america, mr. Potocki?

Mr. Potocki

Not a moment too soon.

Customs Agent

Next in line, please.

[ metallic creaking ]

Mr. Potocki

Poor bastard.

[ creaking and rolling ]

Mr. Potocki

Here's 50 paise. Buy yourself some wd-40.

[ wheels creaking ]

Mr. Potocki

[ whispering ] oh, for crying out loud. Listen, fella, I already gave. Do you understand english?

[ screaming ]

Scene 02

DULLES INTERNATIONAL AIRPORT

Bellboy

Long flight, huh? Bombay to D.C.? You know, I always wondered do they serve, like, indian food on the plane? If there's anything else I can do for you, sir...

[ chuckles ]

[ creaking ]

[ slow, labored breathing ]

[ breathing gets louder ]

[ breathing stops ]

Scene 03

HOTEL BELMONT

John Doggett

Things that land in your in-box, huh, agent Scully?

Dana Scully

Good morning. I'm sorry I'm late. I didn't get a chance to look at the case file. The traffic's terrible.

John Doggett

Beltway's a nightmare. Takes longer to get crosstown than it does a plane ride from india which is where our victim flew in from last night-- bombay.

Dana Scully

Who are we talking about?

John Doggett

Hugh potocki. Importer/exporter from minneapolis. Laid over in D.C. On his way home when all this blood drains from his body.

Dana Scully

Did the m.e. See it? The body?

John Doggett

Yeah. Tox test ruled out hemorrhagic fever, ebola, anything exotic. Something killed this man but it doesn't seem to be any foreign disease.

Dana Scully

No sign of forced entry?

John Doggett

No. No one was seen coming or going from this room. The maid found the body 20 minutes after a bellman left mr. Potocki here. Whatever happened, happened fast.

Dana Scully

So, basically what you're saying is that nobody knows anything.

John Doggett

But then I guess that's why it's in your in-box. So, what do you think, agent Scully? Haunted hotel room? Alien invaders? Sloppy vampires? There is one small thing. The cops missed it their first time around.

Unidentified speaker

Well, that looks like

Dana Scully

A child's print.

John Doggett

Yeah. That's what it looks like. You know there was a ring of thieves when I was back in new york. They used kids for b&e jobs.

Dana Scully

Mm...

John Doggett

Squeezing in through cracked windows, that kind of thing. But this, this is beyond.

Dana Scully

No. From what I see, agent Doggett, from the way this man died, I doubt it was a kid who did this.

John Doggett

Thanks. I'm not quite ready yet to lose all my faith in humanity.

Dana Scully

But regardless, I'd say it's wise you keep an open mind.

[ kids yelling ]

Scene 04

FAIRMONT ELEMENTARY SCHOOL

Mrs. Holt

The better the economy gets the harder it is to fill these kinds of jobs. And the problem is that people look at it as just a paycheck. They don't realize that as maintenance engineer, you are playing an important part in these kids' lives. And I can't tell you how wonderful it is to find someone as enthusiastic as you are, mr. Burrard. And I understand you can start immediately? That's wonderful.

[ sighs ]

John Doggett

Big fella, isn't he?

Dana Scully

Big is a relative term, agent Doggett. It took three strong men to wheel him in here. He tipped the scale at 402 pounds.

John Doggett

Uh, hugh potocki was a big man, big appetites. Loved big cars, big houses, big business. Divorced twice. He carried two alimonies, one with child support. Never missed a payment. In fact, he seems to have spoiled his wives and kids.

Dana Scully

I'm missing the point.

John Doggett

It seems he loved big women too. Considering the evidence and motives, we can probably rule out his ex-wives as suspects.

Dana Scully

Well, considering what I found here today, I'd say I have to agree. Tissue damage. Massive trauma to the lower intestine and the rectal wall.

John Doggett

Is that from something going in or coming out?

Dana Scully

Well, unfortunately, there's so much damage that it's hard to tell. I took mris, which reveal further shredding throughout the abdomen and, uh, into the stomach area.

John Doggett

India's a major transit point for the golden triangle. This guy flew in and out of india half a dozen times over the past 18 months.

Dana Scully

Are you suggesting that he's a mule? A courier of heroine or opiates? Drug dealer?

John Doggett

Fills a latex balloon with heroin, swallows it. We've all seen this kind of thing before. But what if somebody got to him en route, forcibly extracted the drugs, tearing it from his stomach?

Dana Scully

Well, I'd say, uh, that's a good theory, agent Doggett, not to mention a graphic one, but there would have been traces left of drugs in his system. Nor does it account for the blood loss that this man experienced.

John Doggett

Then we're right back where we started. Nobody knows anything.

Dana Scully

Not exactly. I ran a decay analysis to, uh, determine the time of death. Liver temperature, buildup of gases, extent of rigor-- routine stuff. It's not 100% accurate, but it gives us a range.

John Doggett

What's the range?

Dana Scully

24 to 36 hours.

John Doggett

Well, that's just wrong.

Dana Scully

Well, it would mean that, uh, mr. Potocki here would have died before he left bombay.

John Doggett

No. It would mean that a dead man boarded a plane in india, changed planes in paris, hailed a cab at dulles and then checked into a downtown hotel and tipped the bellman. In my experience, dead men don't tip, agent Scully.

Dana Scully

I told you to keep an open mind.

[ metallic creaking ]

[ kids yelling ]

[ laughter ]

Scene 05

Scene 05

Trevor

Oh... Look what he just did to my scooter.

Quinton

That's mine!

Trevor

You going to take it from me?

Quinton’s Father

Hey! Leave him alone. What's going on here, quinton? I know you. Your name's trevor? You're in seventh grade, right? Don't you guys have anything better to do than pick on sixth graders?

Trevor

Well, he ran into me.

Quinton

That's a lie!

Quinton’s Father

Enough. You want to be a bully? Find somebody your own age. I'll talk to your father if I have to. Come on, quinton.

[ creaking ]

Scene 06

FBI HEADQUARTERS

John Doggett

Yes. Thank you. Sorry to wake you. Good-bye.

Dana Scully

Bad connection?

John Doggett

Consulate in new delhi. Three weeks ago an american businessman was found dead inside his hotel room. Take a look. A mr. Albert brecht of spokane. The reports have been hard to piece together. The medical records are in hindi. Death certificate's in farsi and the news accounts are in... I don't know-- letters I've never seen before. But I did get you a translation of mr. Brecht's autopsy results. Internal trauma. Tearing in the abdomen. You're the doctor-- it sounds like the same m.o., doesn't it, agent Scully?

Dana Scully

Look at this. Albert brecht's passport was a recent issue and it has his weight at 205 pounds, whereas here, an indian medical examiner has him listed at 238 pounds just two hours after his death.

John Doggett

Well, if there's one thing people lie about, it's their weight.

Dana Scully

Well, that's a pretty big lie. I mean, that's a 33-pound discrepancy.

John Doggett

Well, he was a big man, that's for sure.

Dana Scully

Yeah. As was our D.C. Victim. All the better for accommodation.

John Doggett

Accommodation?

Dana Scully

Well, something has to account for the weight gain, agent Doggett. What if whatever it is that killed these men entered and exited them of its own free will? I mean, something.... Small... With small hands... Living... Inside the victims as a... As a stowaway of sorts.

John Doggett

You know I agree that having an open mind is important to crime solving, but... This theory of yours requires an openness that I'm... I'm just not comfortable with.

Dana Scully

I understand, agent Doggett, and I can't prove it... But I bet that if we had weighed hugh potocki when he first arrived here from bombay that he would have been 33 pounds heavier than his corpse.

John Doggett

It's a theory, agent Scully, but to my mind and... Pretty much the rest of me, it-it... Doesn't work.

Dana Scully

I appreciate your resistance but so far this evidence supports it.

John Doggett

Except one thing... Even if there was something living inside of hugh potocki when he arrived here from bombay... You said that mr. Potocki was already dead.

[ crickets chirping ]

[ creaking ]

Scene 07

CHEVERLY, MARYLAND

Quinton

Dad? Dad. Dad! Dad! Dad!

Quinton’s Father

Quint, what is it?

Quinton

There's a man in here.

Quinton’s Father

What? What are you talking about?

Quinton

He was here, dad. Right over there. He had no legs!

Quinton’s Father

Quinton... Quinton, listen to me. The things that you imagine, the things that-that you dream, are not real. And what's not real can't hurt you.

Quinton

But, dad, it was real. It was.

Quinton’s Father

Quint, there's nobody here. Try to get some sleep. Okay?

Newsguy 1

There's no denying the world order has changed. The united states is the sole super power-- in both a military sense and an economic one. With this comes responsibility.

Newsguys

No one's dismissing american responsibilities, here or abroad. But third world debt relief, in my view, would be a positive step toward solving third world issues and third world problems. Well, now it's my turn to disagree. Relieving that debt would allow these countries to find solutions without american intervention... I think you're being naive... There's no denying the world order has changed...

[ screaming ]

Quinton

Dad? Dad?

Scene 08

Scene 08

John Doggett

The first dead body I saw, I was 19 and a marine. This boy... Criminy.

Dana Scully

Yeah. That's not all he claims he saw.

John Doggett

That's what the cops told me. That's why I thought we should come down here.

Dana Scully

He said he called his dad in because there was something in his room. I asked him to describe it. He said that it was a munchkin. That it had no legs. And that it was keeping itself up with its arms.

John Doggett

Well, that's a pretty good trick considering what I just found upstairs. Palm prints in the boy's bedroom. They match the ones we found in potocki's room. And that's the good news. It just doesn't serve your theory... Because this thing didn't get in here in anybody's body. It came in through the bedroom window.

Dana Scully

How can you be sure?

John Doggett

There was another print on the sill outside the locked window. And somebody must have closed it after this thing got in.

Dana Scully

Right. Which is exactly what the boy said that his father did. But it's the father that I have a problem with here. I mean, he had none of the massive hemorrhaging that we found in mr. Potocki. In the coroner's initial report, he makes it sound like the guy died of a cerebral embolism. The one salient detail in the external exam were the eyes... In which all of the blood vessels are broken. Unless that's just the first stage.

[ labored breathing ]

Scene 09

Scene 09

Dana Scully

This is special agent Dana Scully. I am a medical doctor about to perform an unauthorized procedure on a body. The subject is a caucasian male. Age, uh... I don't remember at this particular time. His height is about six feet. And his weight is... Quite possibly subject to change. I suppose distension could be due to decomposition gases... But that seems unlikely.

[ metal crashing to floor ]

[ creaking ]

[ phone rings ]

[ phone continues to ring ]

[ children chatting ]

Scene 10

Scene 10

Mrs. Holt

Reliability's one of the most important parts of your job. We were very worried when you didn't show up this morning.

[ creaking ]

[ school bell ringing ]

Scene 11

Scene 11

Chuck Burks

They're called fakir-- ascetic masters bound to acts of self-torture to attain enlightenment. We shot this video when I was traveling through india back in the late '70s... Oh, man, look at my hair back then.

Dana Scully

Agent Mulder consulted with dr. Burks on occasion, and I have to admit that I've been skeptical of him in the past but he does have certain insights.

John Doggett

Well, we could use some insights.

Chuck Burks

Uh, well, I-I'm embarrassed to admit, but I-I'm not sure I know what the heck's going on here.

Dana Scully

These ascetic masters... They have abilities?

Chuck Burks

Oh, absolutely. An-and abilities similar to those you told me about on the phone have been ascribed to what are know as siddhi mystics. The siddhi are a very mysterious and particularly powerful order of fakirs. These siddhi they pass on their secret practices from father to son gaining occult powers with each generation.

John Doggett

What kind of powers?

Chuck Burks

Powers of the mind. Powers that help them manipulate reality. Powers that allow them to become invisible or tiny as an atom.

John Doggett

Well, I hope they're tiny. Where, whoever it is, is going.

Dana Scully

Chuck... Could one of these siddhi mystics make you believe that he vanished in a room when in fact, he's standing right in front of you?

Chuck Burks

Totally. Or disguise themselves appearing in front of you as, uh, well, virtually anyone.

John Doggett

I'm sorry, dr. Burks, you're a... You're a professor of what?

Chuck Burks

I run the advanced digital imaging lab at the university of Maryland. And, um, I dabble.

John Doggett

You dabble. Well, this has been... Insightful.

Chuck Burks

Doesn't surprise me.

Dana Scully

What?

Chuck Burks

It's hard to believe in something when you can't understand it.

[ knocking on door ]

Scene 12

Scene 12

Quinton

Get out of here.

Trevor

No, just... Let me talk to you.

Quinton

Leave me alone.

Trevor

No, I want to say I'm sorry.

Quinton

No, you're not.

Trevor

Look, I am. Would you just... Listen. I'm... Sorry about your dad. I, I think I know who did it.

Scene 13

Scene 13

Chuck Burks

Agent Scully?

Dana Scully

Chuck. Thank you for, uh, coming down here again.

Chuck Burks

Not at all. Uh... I'm just a little curious. I mean, it's always Mulder who'd been doing all the calling and...

Dana Scully

This, uh... This case, I-I-I-I'm just... I'm trying to see it the way that Mulder would, and... Please have a seat.

Chuck Burks

Of course. So, what seems to be the problem?

Dana Scully

You described these, uh, siddhi mystics as being religious men.

Chuck Burks

Extremely. They believe their powers derive directly from the divine.

Dana Scully

So, presumably, using those powers for murder would be in opposition of that?

Chuck Burks

Worse. It would violate the very foundation of ascetic life. It would endanger their eternal soul.

Dana Scully

Which got me thinking that, uh... If these siddhi hold so fast to their orthodoxy then what would cause them to break their faith?

Chuck Burks

I don't know.

Dana Scully

Something human? Revenge?

Chuck Burks

Well, maybe.

[ sighs ]

Dana Scully

This is... An american chemical plant in a village in india called vishi. It's just outside of mumbai. Which is a better known to us as bombay. About six months ago the plant inadvertently released a small cloud of methyl isocyanate gas. 118 of vishi's mostly indigenous population were killed. It wasn't very well reported over here. I spent all night cross-checking the, uh, victims of the disaster. And one... Finally caught my attention. Now, it's-- oh, here. It's an 11-year-old boy... Whose father is described as a being a holy man of the chamar caste.

Chuck Burks

The beggar caste. Fakirs and mystics are.... Well, often of low birth.

Dana Scully

Do you think that this boy's father could be a siddhi mystic like you described?

Chuck Burks

He could be. But if he's out for revenge, then why is he killing the people that he's killing?

[ car approaching ]

[ creaking ]

[ creaking continues ]

[ creaking continues ]

Scene 14

Scene 14

Trevor’s Mother

Ohh! What's the matter with you?

Trevor

Nothing.

Trevor’s Mother

Trevor? Where are you going? Dinner's on the table. Trevor? Trevor, dinner! Trevor! Trevor!

Scene 15

Scene 15

Trevor’s Father

Excuse me.

Dana Scully

She came out to call her son in for dinner. That's all we know.

John Doggett

What are we doing here, agent Scully? 'cause I'm not sure.

Dana Scully

What are we doing? A woman died of mysterious circumstances not three blocks away from a previous victim. External signs are a direct match. That woman's eyes.

John Doggett

I saw her eyes. But dollars to donuts, there wasn't anything that crawled up inside her. Now, I think we're reaching here, and I don't know how to say it but maybe you're seeing things that you want to see.

Dana Scully

Are you questioning my integrity?

John Doggett

No, I'm questioning the whole damn case. From your so-called expert to the evidence you've chosen to ignore to the fact that your approach has got us no closer to seeing a pattern or a motive or even catching this killer than we were when we started.

Dana Scully

I asked you to keep an open mind.

John Doggett

Yeah, well, I try to keep an open mind, but it tends to shut my eyes.

Dana Scully

There is something here, agent Doggett. And I'll admit that it's hard to accept. But there is a motive and there is a pattern and there is a reason and we will see it... But not working like this.

John Doggett

Yeah, well... I hope somebody sees it.

[ leaves crunching ]

Dana Scully

Trevor. Trevor, I'm Dana Scully...

Trevor

What happened?

Dana Scully

Your father's in the house. I'm going to take...

Trevor

Where's my mom?

Dana Scully

Trevor.

[ heavy breathing ]

Trevor

He was here. The-the little man. I-I saw him. He... He followed me.

[ heavy breathing continues ]

Scene 16

Scene 16

Chuck Burks

Agent Doggett? Where is he? Is that him?

John Doggett

If you mean the janitor, yeah, that's him, right in there.

Chuck Burks

Agent Scully called and said that you had arrested what might be an honest-to-goodness siddhi mystic.

John Doggett

Well, agent Scully jumped the gun on that one. The only thing extraordinary about this man is he doesn't speak... To anyone.

Chuck Burks

Well, where is agent Scully?

John Doggett

She left, after four hours of attempting to interrogate this guy. Unless he jumps up and does something mystical in the next ten minutes, we're releasing him. What are you doing?

Chuck Burks

The man sitting there may not be the man sitting there. No one may be there at all, in fact.

John Doggett

Not in the next ten minutes, there ain't.

Chuck Burks

[ whispering ] oh, wow. Agent Doggett? Y-you got to take a look at this.

John Doggett

Come on. It's a trick.

Chuck Burks

Yeah, but not of the camera.

John Doggett

Wait, if... If he's not there...

Chuck Burks

He could be anywhere.

Scene 17

Scene 17

Trevor’s Father

Yeah?

Dana Scully

Sir, I am so sorry to bother you again. I know this has been a terrible ordeal.

Trevor’s Father

Yes... What is it you need?

Dana Scully

I need to speak with your son, trevor, again.

Trevor’s Father

Is this about his mother?

Dana Scully

Well, trevor told me that he saw a man. It was just something that doesn't quite add up and I need to be certain. Thank you. [ cell phone rings ] Scully.

John Doggett

I think you ought to get back here, agent Scully. There's something...

Dana Scully

What?

John Doggett

The janitor, he's here... But he's not. I can't... I can't explain it.

Trevor’s Father

Trevor's not in his room.

Dana Scully

I'm sorry, just hang on one second. Agent Doggett, what do you mean he's not there?

[ clanking and creaking ]

Scene 18

Scene 18

Teacher

Who's that?

Mrs. Holt

Hello?

[ creaking ]

Mrs. Holt

Mr. Burrard... I thought you... Well, I-I didn't expect to see you back at work.

[ creaking ]

Mrs. Holt

This is the agent who picked him up before. Can you make this call?

Quinton

[ whispering ] here he comes.

[ glass breaking ]

[ liquid bubbling ]

[ grunts ]

Quinton

Trevor, are you there?

[ creaking ]

[ creaking ]

[ knocking on glass ]

Trevor

Get out of there, let's go!

Quinton

I can't! The windows are locked.

Trevor

Break them, okay! I'll get help.

[ creaking ]

[ panting ]

Dana Scully

Oh, thank god.

Quinton

Do something!

Dana Scully

Quinton, what's the matter?

Quinton

It's him! It's the little man!

Dana Scully

Who? Trevor?

Mrs. Holt

All right, now you boys, you just stop playing around.

Dana Scully

Okay, don't move. Stay where you are.

Mrs. Holt

Wait, wait. What are you doing?

Quinton

Stop him! Shoot him!

[ breaths heavily ]

Dana Scully

I can't.

[ gunshots ]

Mrs. Holt

Oh, my god.

John Doggett

What is it? What happened? Agent Scully! Scully.

[ crying ]

Scene 19

Scene 19

John Doggett

You going to be okay, agent Scully? I got a drift of what happened in there... To you. I mean, sort of.

Dana Scully

I shot a young boy.

John Doggett

The good news is, you're wrong.

Dana Scully

But it's what I saw. With my eyes, anyway. Do you know what it's like not to be able to trust your own eyes?

John Doggett

Then why'd you shoot him?

[ breathes slowly ]

Dana Scully

Because it's what the boy saw. And in an instant... I realized that it's what Mulder would have seen or understood. Because that's just how he came at things... Without judgment and without prejudice and with an open mind that I am just not capable of.

John Doggett

It's been a long night. Give yourself a break.

[ sighs ]

John Doggett

This whole thing doesn't make any sense.

Dana Scully

No... It did. In some way, it did.

[ beggars shouting ]

About this transcript

The dialogue comes from the official DVD subtitle track supplied by Boggsfiles. Speaker and scene attribution was cross-checked against character-labelled reference material. Subtitle wording is preserved while capitalization and spacing are standardized for easier reading.