BOGGSXFILES
TRUTH STILL MATTERS
Season 4 · Episode 22

Elegy

Character-labelled dialogue prepared from the official DVD subtitle track.

Production code4X22Original airdate · May 4, 1997
379 dialogue entries
Scene 01

ANGIE'S MIDNIGHT BOWL

Angie Pintero

Gosh, go home, Harold.

Harold Spuller

I'm not done yet.

Angie Pintero

Harold, you hear me? You should've gone home already.

Harold Spuller

I'm not done yet.

Angie Pintero

For cryin' out loud. This ain't so difficult.

Harold Spuller

I'm not done yet!

Angie Pintero

Harold, it's past your bedtime. It's okay. And the doctors will be worried about you. You did a good job today. Now you go home. Come on.

[ Harold mumbling ]

Harold Spuller

Thirty-seven, forty-five, sixty-three, seventy-one, eighty-six, ninety-two.

[ clanking sound ]

Angie Pintero

What the hell? Geez! Oh, my God! Oh, my God! Oh! I'll get help! Oh!

[ siren wails ]

[ siren wailing ]

Angie Pintero

Officer! Officer!

Officer

Go on, sir. This don't involve you.

Angie Pintero

There's a woman inside. She's bleeding. She's-- my God. That's her! That's the girl I saw.

[ screams ]

Scene 02

ANGIE'S MIDNIGHT BOWL

Fox Mulder

Hey, Scully! Take a look at this.

Dana Scully

What am I looking at?

Fox Mulder

The pin setter. See the way it's wedged and broken?

Dana Scully

Yeah.

Fox Mulder

Mr. Pintero said that would only happen if considerable weight was placed on it from above.

Dana Scully

This is where you saw the body?

Angie Pintero

Yes, ma'am. She was caught up in the machinery. Her neck was cut.

Dana Scully

And the blood from the victim was pooling where?

Angie Pintero

Right here.

Dana Scully

But both the body and the blood were gone when you returned?

Angie Pintero

Yeah! But like, like I said, the woman in the parking lot--

Dana Scully

Was the same woman that you saw caught up in the machinery?

Angie Pintero

That's right. Look, I'm not making this up.

Fox Mulder

No one's suggesting that you are, mr. Pintero.

Angie Pintero

I saw the look on her face.

Fox Mulder

Can I ask you a favor? Can I get a soda? A cola? Something like that?

Angie Pintero

Sure, yeah.

Fox Mulder

What is that "look," Scully?

Dana Scully

I would've thought that after four years, you'd know exactly what that "look" was.

Fox Mulder

You don't believe in ghosts?

Dana Scully

You're saying that what this man saw was the victim's ghost?

Fox Mulder

Sounds more like a disembodied soul.

Dana Scully

Which is just another name for a ghost.

Fox Mulder

Except according to mr. Pintero, this one was trying to communicate. She was speaking to him as if she was trying to tell him something. It sounds more like a death omen.

Dana Scully

A death omen?

Fox Mulder

Yeah. It's a spirit being that arrives as a harbinger of death. This is the third reported sighting in as many weeks. And as many murders. Each time the victim appearing near the crime scene trying to communicate, to say something.

Dana Scully

Communicate what?

Fox Mulder

I don't know yet, but-- thank you. If you hold on a second, I may have an answer for you.

Angie Pintero

Hey! What are you doin'?

Fox Mulder

"she is me."

Dana Scully

What?

Fox Mulder

Written onto the wax. "she is me." look at this.

Scene 03

Scene 03

Detective Hudak

Three victims. All women. All approximately the same age, height, weight, hair and eye color. All attacked within the same six-block area of each other.

Dana Scully

Our FBI profiling model...

Detective Hudak

Suggests a white male, late 20s, early 30s. His victims were probably strangers to him. Symbols representing other women in his life. Perhaps all women. Hey, you, in the back? Are we boring you?

Fox Mulder

No, not at all.

Detective Hudak

Because if you have nothing to contribute to this profile--

Fox Mulder

I do have something to add. I think that following the FBI model in this case, will not only fail to turn up the killer, but will undoubtedly lead to more victims and more deaths.

Detective Hudak

You want to tell us who you are and what you base that on?

Fox Mulder

I'm special agent Mulder. This is agent Scully. We're from the FBI we're here following up a lead that seems to have been dropped. A statement made by the proprietor of the bowling alley--

Detective Hudak

The guy who claims he saw the victim.

Fox Mulder

No, no, not the victim. Her apparition. What the irish call a fetch. What is more commonly known as a wraith.

Detective Hudak

Oh! Okay.

Fox Mulder

were there any written messages in any of these other cases? -

Detective Hudak

Written messages?

Fox Mulder

Do the words, "she is me" have any meaning to you?

Detective Hudak

You mean Penny timmons' last words.

Fox Mulder

Those were her dying words?

Detective Hudak

According to a 911 call we received--

Fox Mulder

Who made that call?

Detective Hudak

A nut.

Fox Mulder

What do you mean?

Detective Hudak

There were no dying words. Penny timmons' larynx was severed. She couldn't cry for help even if there was help to cry for.

Fox Mulder

And no one followed up on this lead?

Detective Hudak

No. I'll have someone get you the number and you can follow up.

Fox Mulder

I'd appreciate that.

Scene 04

NEW HORIZON PSYCHIATRIC CENTER

Alpert

People? People? Listen up now. I brought some folks who want to talk with you. Nurse Innes, could you gather the group?

Nurse Innes

All right, everyone, let's go. You know the drill. Get your seats. Group seating. Go on in. Harold? Come on. Harold.

Alpert

Good morning, everybody.

Patients

Good morning, mr. Alpert.

Alpert

I brought visitors today. They're investigating a crime. It's okay. They just want to ask you a few questions.

Fox Mulder

Hi. I wanted to ask... If anybody used the pay phone in the hallway on friday night? Because somebody called the police and reported a murder.

Alpert

[ whispering ] sloppy joe night.

Fox Mulder

That was sloppy joe night.

Chuck Forsch

Ooh! That was me. I did it. I admit it. I did it. I'm just a human being after all.

Alpert

Chuck, tell the truth.

Chuck Forsch

Nah. I'm sorry. I didn't mean it. I lied. I lied, but I'm just a human being.

Alpert

Has anyone used the pay phone... To call the police?

Fox Mulder

Anybody recognize this woman?

Chuck Forsch

That's the lady that got murdered.

Various Patients

Yeah, she's the one. I recognize her. I know her. She was murdered.

Dana Scully

And does anybody recognize this man?

Various Patients

Oh, yes. Yes, he did it. He did it. He's the murderer. He's a very funny man. He smiles a lot.

Alpert

Uh--

Fox Mulder

The quiet man in the back.

Alpert

Harold Spuller.

Fox Mulder

The only one who didn't raise his hand. Yeah. Has he ever been a problem?

Alpert

Harold? No! He has a tendency to get a little worked up.

Fox Mulder

Do you think I can talk to him?

Alpert

Yeah, sure.

Fox Mulder

All right.

Scene 05

THE HALLWAY IN THE PSYCHIATRIC CENTER

Dana Scully

I think I found something here, Mulder. In these photos taken by the forensics team, the third victim, her left hand, that band of pale skin? It looks like she wore a ring on that hand.

Fox Mulder

A wedding ring, yeah.

Dana Scully

Yeah, but she wasn't married.

Fox Mulder

So what, he stole her ring?

Dana Scully

No, not at all.

Fox Mulder

He switched it.

Dana Scully

And in all the other murders, he repeated the same ritual. Changing the ring on each of the victims.

Fox Mulder

Nice catch, Scully. Any idea about the psychology at work?

Dana Scully

There's something called ego dystonia, a form of obsessive compulsive disorder, where a person has the persistence and inescapable impulses... To change things, to organize, to reorganize. But it's not ordinarily something that escalates to a murderous impulse.

Fox Mulder

Not ordinarily, unless there was a more complex psychology at work... Like pronounced mental illness.

Dana Scully

You really think that the killer is a patient here?

Fox Mulder

I'm not sure the killer is here. But the person that made that phone call is. I think his name is Harold Spuller.

Dana Scully

Did he cop to making the call?

Fox Mulder

No. He's about to.

Scene 06

A MEETING ROOM AT THE CENTER

Harold Spuller

I don't know anything. I didn't do anything. Leave me alone.

Fox Mulder

You made that phone call, didn't you, Harold?

Harold Spuller

No.

Fox Mulder

Did you say the words, "she is me"?

Harold Spuller

No.

Fox Mulder

Have you ever heard those words?

Harold Spuller

No!

Fox Mulder

Have you ever seen a ghost, Harold?

Harold Spuller

No. No. No! No! No! No! No! No! No! No! No, no, no, no, no!

Staff Member

Harold, down.

Harold Spuller

No, no, no, no, please leave me alone.

Staff Member

Don't, Harold.

Harold Spuller

Leave me alone! No, no, no, no! No, no, no, no, no!

Fox Mulder

Harold, listen to me.

Dana Scully

When you're right, you're right.

Harold Spuller

Seventeen, thirty, thirty-seven, forty-five, fifty-three.

Scene 07

AN OFFICE IN THE PSYCHIATRIC CENTER

Dana Scully

Harold Spuller suffers from pervasive developmental disorder... Where they're sometimes called atypical autism. He has spent his entire life in and out of facilities just like this one. He has been medicated, he has received shock therapy, and aside from his other disabilities, he has been diagnosed with severe ego dystonic obsessive compulsive disorder, which would explain the switching of the victims' rings.

Fox Mulder

So why all of a sudden?

Dana Scully

You mean what made him snap? I think his outburst clearly showed a frustrated impulse towards violence... When he was put in a challenging situation.

Fox Mulder

That outburst didn't come until after I'd asked him if he'd ever seen a ghost.

Dana Scully

Mulder, the man is disturbed. You could see the pressure building in him from the moment the interview began.

Fox Mulder

Yeah.

Dana Scully

Why are you now so unconvinced that Harold Spuller is the man we came looking for?

Fox Mulder

I'm sure Harold Spuller's the man that made that phone call. But what led us to him, it still remains unexplained.

Dana Scully

"she is me"?

Fox Mulder

Mm-hmm. And the other apparitions. Like the one mr. Pintero saw at the bowling alley.

Dana Scully

I think I have an idea about that, if not an explanation. Harold Spuller is at this facility voluntarily, which means he can come and go as he pleases. To kill those women, or to hold down a job or both.

Fox Mulder

Oh, Scully.

Dana Scully

Yeah, it's okay.

Fox Mulder

You sure?

Dana Scully

Yeah, it's just-- I'm fine. I just need to find a washroom.

Scene 08

A WASHROOM AT THE CENTER

[ knocking on door ]

Fox Mulder

Scully?

[ knocking on door ]

Fox Mulder

Scully, you in there?

Dana Scully

Yeah.

Fox Mulder

They found another victim. A college student with her throat cut, just about half a block from here.

[ siren wailing ]

Scene 09

Scene 09

Fox Mulder

Her name was lauren heller, age 21. She was single. Apparently she was on her way home from a bar that she part-timed at after school. She had a ring on her left hand. It was switched to her right hand. The pinkie finger. She was dead less than an hour when she was found.

Dana Scully

That would rule out Harold Spuller as the killer.

Fox Mulder

No, actually it doesn't. Harold's not at the home. He's nowhere to be found. His nurse locked him in his room after we left, but he managed to escape unnoticed.

[ police radio, indistinct ]

Dana Scully

I don't imagine he'd be too hard to find.

Fox Mulder

Yeah, but we should be the ones to find him. If only to find out what "she is me" means.

Dana Scully

Mulder-- [ sighs ]

Fox Mulder

What?

Dana Scully

I think I'm gonna let you take care of that. I, uh, I think I'm gonna get this checked out. Just, you know, just to be safe.

Fox Mulder

You want me to drive you?

Dana Scully

No, no, no. I'm fine, really. I've had the doctors keep a close watch, and this is just a precaution.

Fox Mulder

You're sure?

Dana Scully

I'm fine.

Fox Mulder

Bye.

Harold Spuller

Nine, seventeen, twenty-six, thirty-two--

[ continues mumbling numbers ]

[ continues mumbling numbers ]

Scene 10

A DARK AREA

Harold Spuller

No. No. I just want to be left alone.

Scene 12

COUNSELLOR KAREN KOSSEFF'S OFFICE

Karen Kosseff

We've spoken about your fear. You've been afraid to express it to others. To agent Mulder.

Dana Scully

This is different.

Karen Kosseff

How?

Dana Scully

Several months ago, I was diagnosed with a cancerous mass. A nasal pharyngeal tumor that cannot be operated on, and cannot be treated by conventional medicine.

Karen Kosseff

I'm sorry.

Dana Scully

I don't mean for this to sound too dire. My health has been good. I have been checked up on a weekly basis.

Karen Kosseff

You've kept working?

Dana Scully

Yes. It's been important to me.

Karen Kosseff

Why?

Dana Scully

Why? Um-- agent Mulder has been concerned. He's been supportive through this time.

Karen Kosseff

Do you feel that you owe it to him to continue working?

Dana Scully

No. I guess I never realized... How much I rely on him before this. His passion. He's been a great source of strength that I've drawn on.

Karen Kosseff

What happened last night, Dana?

Dana Scully

I saw something. And I don't know what to trust. If I saw it because of the stress? Because the image had been suggested to me? Or if it was a suggestion of my own fears?

Karen Kosseff

Your fear of failing him?

[ chuckles ]

Dana Scully

Maybe.

Karen Kosseff

What did you see?

Dana Scully

I saw a woman who had recently been murdered. But I saw her. It appeared as if she was trying to tell me something.

Karen Kosseff

Do you know what?

Dana Scully

No.

Karen Kosseff

Are you sure?

Scene 13

ANGIE'S MIDNIGHT BOWL

Angie Pintero

Hey, you're back.

Fox Mulder

Yeah. I'm looking for Harold Spuller.

Angie Pintero

Harold? What for?

Fox Mulder

Suspicion of murder.

Angie Pintero

You think Harold killed those women?

Fox Mulder

You obviously don't think so, huh?

Angie Pintero

Harold's worked for me for ten years. He might be crazy, but he couldn't kill anyone. He's a sweet kid.

Fox Mulder

Yeah. You know where he is now?

Angie Pintero

He was here this morning when I arrived, arranging the shoes.

Fox Mulder

He has a key?

Angie Pintero

No, he's got some damn way of gettin' in through an abandoned building next door.

Fox Mulder

Did you ever get lane six working?

Angie Pintero

No. Not since I saw the girl.

Fox Mulder

Harold? Harold? Harold, I just want to talk to you. Harold?

[ Harold mumbling ]

Harold Spuller

She is me. She is me. She is me. She is me.

[ mumbling continues ]

Harold Spuller

She is me. She is me.

Fox Mulder

Harold?

Harold Spuller

She is me. She is me. She is me. She is me. She is me. She is me. She is me. Eight, seventeen, thirty, thirty-seven.

Scene 14

AN INTERROGATION ROOM

Attorney

I wanna make this clear from the start. My client is suffering from a mental disorder which impairs his judgment. He will not answer any questions regarding his guilt or innocence.

Detective Hudak

I'd be real happy if he'd quit talking right now.

Attorney

Anytime Harold becomes upset or unwilling to cooperate, this interrogation will end. Detective Hudak?

Detective Hudak

Tell me why you did it, Harold, huh? Come on. Tell me why you killed those women.

Attorney

What did I just say? This is totally unacceptable. I am prepared to tell my client not to cooperate.

[ mumbling numbers ]

Fox Mulder

Harold, you knew those women who were murdered, didn't you?

[ mumbling numbers ]

Fox Mulder

That's why you're scared. You're afraid they've come back to visit you. Penny timmons.

Harold Spuller

Eight, seventeen, thirty, thirty-seven, forty-five, fifty-three, seventy-one, eighty, ninety-two, ninety-nine, one-oh-eight.

Fox Mulder

Mrs. Schipiro.

Harold Spuller

Fourteen, twenty-nine, thirty-eight, fifty-seven, seventy-one, seventy-nine, eighty-eight, one hundred and one, one hundred and seventeen.

Fox Mulder

Michelle chamberlain.

Harold Spuller

Seventeen, thirty-two, forty-nine, sixty-nine, seventy-eight, eighty-seven, ninety-nine.

Fox Mulder

What was her shoe size?

Harold Spuller

Six-and-a-half.

Detective Hudak

There you have it.

Attorney

This is not a confession.

Detective Hudak

He killed them. Harold, listen.

Attorney

I'm advising you not to respond...

Detective Hudak

He stalked them, fixated--

Attorney

Nor to cooperate with this investigation any further!

Fox Mulder

Harold, there are people that think you murdered these women. I'm not one. But I need your help for me to prove that. You think you can do that? I think you can.

Scene 15

ANGIE'S MIDNIGHT BOWL

Fox Mulder

Mr. Pintero, I'd like to search the building for any ways in or out, that Harold might have of the bowling alley.

Angie Pintero

Sure.

Fox Mulder

Thanks.

Angie Pintero

You okay, Harold?

Harold Spuller

The shoes are out of order, mr. Pintero. I'm sorry.

Angie Pintero

Hey, it's okay, buddy. Don't you worry about it. You get this straightened out with these folks, then come back and keep me in line.

Harold Spuller

Okay, mr. Pintero.

[ Harold mumbling numbers ]

Detective Hudak

I wanna know why the hell we're being led around like this?

Fox Mulder

I'm hoping it will become clear to us when we find it.

Detective Hudak

Is that right? He's gonna show us something that's gonna exonerate him?

Fox Mulder

I think so.

Harold Spuller

Here.

Detective Hudak

Here what? My God, they're all here. Every victim.

Attorney

[ attorney ] this proves nothing.

Detective Hudak

He fixated on them.

Attorney

I see hundreds of scorecards up here. Thousands of names.

Fox Mulder

Choose a name. Pick a name. Pick any name up there.

Detective Hudak

Fred graham.

Harold Spuller

Seventeen, forty-two, sixty-seven, eighty-eight, one hundred and seven, one hundred and twenty-two, one hundred and thirty-one, one hundred and sixty-six, one hundred and seventy-eight, two hundred and one. Two hundred game. Not bad.

Detective Hudak

You're saying he has all these scores in his head?

Fox Mulder

Including the victims.

Attorney

You said this proves his innocence. How?

Fox Mulder

I'm not sure exactly, but I think that--

Harold Spuller

No! No! No, no, no!

[ Harold crying ]

Fox Mulder

Breathe! One, two, three, four, five. Breathe.

Officer

He just keeled. Fell right over. I've done all I can.

[ sobbing ]

Officer

Must've been a heart attack.

[ doorbell ]

Scene 16

SCULLY'S APARTMENT

Fox Mulder

Hey, Scully. Is it too late?

Dana Scully

No. What are you doing, Mulder?

Fox Mulder

I need your help on something. I needed your medical expertise.

Dana Scully

On what?

Fox Mulder

Harold Spuller. Oh! I'm sorry. I didn't even ask you. What did your doctor say?

Dana Scully

I'm fine.

Fox Mulder

Good.

Dana Scully

What's up, Mulder?

Fox Mulder

Angie Pintero, the bowling alley guy? He's dead.

Dana Scully

How?

Fox Mulder

Natural causes. Congestive heart failure. Just keeled over.

Dana Scully

That's what you need my medical opinion on?

Fox Mulder

No. Harold Spuller had a premonitory vision of his boss's death.

Dana Scully

I don't understand.

Fox Mulder

Harold saw an apparition. What may have been angie Pintero's disembodied soul... At the moment of or just prior to his death.

Dana Scully

How do you know?

Fox Mulder

Because I was standing right there when he saw it.

Dana Scully

But you didn't see it yourself?

Fox Mulder

No.

Dana Scully

Why?

Fox Mulder

I don't have that facility. That kind of connection to the victims that would have made such a vision possible.

Dana Scully

What's Harold Spuller's connection?

Fox Mulder

I don't know its exact nature, but I think it has something to do with his autism. That Harold experienced a profound attachment to these victims, but because of his disability, was unable to express... The depth and power of those relationships. So somehow a psychic or preconscious bond was formed that went beyond the temporal.

Dana Scully

Whoa, wait a minute. So Harold knew the people that were killed?

Fox Mulder

Yeah, from the bowling alley. Going back seven years.

Dana Scully

Even if what you're saying is true, Harold wasn't the only one who claims to have seen these apparitions.

Fox Mulder

No. But he does have something in common with those who've had the visions... That is quite powerful in its own right.

Dana Scully

Which is what?

Fox Mulder

They were all dying. Um, one of emphysema, one of cancer and, uh, now angie Pintero.

Dana Scully

Harold Spuller's dying too?

Fox Mulder

Well, that's what I need your medical opinion on.

Dana Scully

Well, what if he isn't?

Fox Mulder

I would be very surprised. What is a death omen if not a vision of our own mortality? And who among us would most likely be able to see the dead? Harold's at the resident home right now.

Dana Scully

I'll meet you there.

Alpert

Harold?

Police Officer

Agent Mulder will be sending a doctor to examine you.

Scene 17

Scene 17

Alpert

Well, you're back. It's gonna be all right now, Harold. They just want us to keep you here for a little checkup. There's nothing to worry about. Thanks, officers. All right, Chuck. Go to bed. You can see Harold in the morning. See? Everyone's so glad to see you back, Harold. You'll be able to talk to Chuck in the morning. You still have to take your meds though, Harold. Keeps you flyin' straight and level.

Harold Spuller

Eighty, eighty-eight, ninety-two, ninety-nine.

Alpert

Come on. It's the way we always do it.

Harold Spuller

Seventy-eight, eighty-seven.

Alpert

Attaboy. Good stuff. Hi. Lucas brought him back.

Nurse Innes

[ nurse Innes ] is he acting up?

Alpert

No! I think he's just a little scared. I've been tryin' to get him to take his meds.

Harold Spuller

Fourteen, twenty-nine, thirty-seven.

Nurse Innes

Why don't you let me sit with him for a bit?

Alpert

Okay, sure.

Nurse Innes

Take your poison, Harold. Go on. What've you got to live for now, huh? What did you tell them, Harold? Fifty-nine. Did you tell them about your little girlfriends? Huh? Did you tell them how you were in love?

Harold Spuller

No!

Nurse Innes

Did you show them your pictures?

Harold Spuller

No.

Nurse Innes

What do you think those girls thought of you, Harold? Do you think they loved you back?

[ mumbles ]

Nurse Innes

No one could love you, Harold. Look at yourself. They looked at you and saw an ugly toad, a retard.

Scene 18

THE FRONT DESK AT THE CENTER

Alpert

Agent Mulder.

Fox Mulder

Thanks for accommodating us again.

Alpert

Not a problem. We're all concerned for Harold.

Fox Mulder

I understand.

Alpert

You're bringing a doctor?

Fox Mulder

Agent Scully's a doctor. If you could arrange to have Harold's medical records made available-- [ scream ]

Scene 19

THE EXAM ROOM

Alpert

Oh! What's happened to you? Oh! Don't touch that. Don't touch that. It's just a cut.

Nurse Innes

He just went wacko. I was tryin' to get him to take his meds and he went berserk. He jumps me, he starts pounding me like he wants to kill me.

Fox Mulder

Did he say anything?

Nurse Innes

No, he just started screaming like a lunatic. Something's gone wrong with him. I think he's lost it for good. I'll be damned if I'm gonna take care of him anymore.

Alpert

I think you should get this cut on your head looked at.

Nurse Innes

Maybe just give me a few minutes to get my nerves back.

Alpert

Okay, everybody, everything's fine now. Come on, back to bed. That's right, dear. Go on now. We'll see you in the morning. Night-night, everybody. What can I do to help?

Fox Mulder

Call the police. Ask for detective Hudak. Tell him what happened. Tell him to look for Harold down at the bowling alley.

Alpert

Are they gonna arrest him?

Fox Mulder

I don't see that there's any way around that. I'm sorry.

Dana Scully

Maybe you were wrong.

Fox Mulder

Well, that's a superficial head wound, Scully. He didn't mean to kill her or maim her. That's not the work of a murderer if you ask me.

Dana Scully

Then why would he do it?

Fox Mulder

Maybe Harold is sicker than we thought he was.

Dana Scully

Maybe. We won't know until we can examine him.

Fox Mulder

I think there's someone you can talk to about it. Why don't you talk to his roommate, and I'll see what I can do about finding Harold.

Scene 21

CHUCK FORSCH'S ROOM

Chuck Forsch

Oh, hi.

Dana Scully

Is your name Chuck?

Chuck Forsch

Yes. Yes, it is. Chuck Forsch. F-o-r-s-c-h.

[ clears throat ]

Chuck Forsch

Chuck Forsch.

Dana Scully

Do you share this room with Harold?

Chuck Forsch

Yes, he's my friend.

Dana Scully

Do you know where he is?

Chuck Forsch

He's dying, isn't he? Harold is dying.

Dana Scully

Why do you say that?

Chuck Forsch

Nurse Innes. She's, she's trying to poison him.

Dana Scully

Who told you that?

Chuck Forsch

Harold. He said she told him she was putting poison in his meds.

Dana Scully

Harold hasn't been taking his medication?

Chuck Forsch

I don't know. I don't know everything. I'm only a human being. But I do know that-- that Harold's my friend. He wouldn't hurt anybody. You know, he really loved them.

Dana Scully

Who?

Chuck Forsch

Harold, he gave them to me. He was afraid.

Dana Scully

Does anybody else know about these pictures, Chuck?

Chuck Forsch

Nurse Innes.

Scene 22

THE LADIES' RESTROOM AT THE CENTER

Dana Scully

How are you feeling?

Nurse Innes

I'm, you know, shaky.

Dana Scully

Understandable.

Nurse Innes

Working with these people, it starts driving you crazy too. I'm just looking forward to going home.

Dana Scully

will your family be a comfort? -

Nurse Innes

I live alone.

Dana Scully

No children?

Nurse Innes

Just the one my husband ran off with.

Dana Scully

Nurse Innes, I'm afraid I'm going to have to ask you to step out into the hallway.

[ yells ]

Dana Scully

Stay where you are! Drop it! Let it go!

[ yelling ]

[ gunshot ]

[ groaning ]

Dana Scully

She's alive. Let's get a paramedic in here.

Alpert

Yeah.

Fox Mulder

You're cut.

Dana Scully

Yeah, she attacked me. You might wanna bag that. I'm pretty sure it's the murder weapon.

Scene 23

Scene 23

Dana Scully

She had been taking Harold's meds-- clonazepam and clozapine-- the unregulated effects of which are violence and unpredictable behavior.

Fox Mulder

Yeah, but why did you even suspect her?

Dana Scully

I went in to talk to Harold's roommate, and he said that Harold thought she had been poisoning him. So I went in to confront her and she just went off.

Fox Mulder

Why do you think she killed those women?

Dana Scully

I don't know. I mean, maybe in some drug-addled way, she was trying to kill happiness. Harold's happiness. His love for those women. Maybe trying to destroy something she thought she'd never have again.

Fox Mulder

"she is me."

Dana Scully

I don't know. Have they found Harold?

Fox Mulder

Yeah. They found him in an alley a few blocks from here, face down on the pavement. They worked on him for 20 minutes, but he couldn't be revived.

Dana Scully

What happened?

Fox Mulder

Well, preliminary diagnosis is apnea: respiratory failure.

Dana Scully

As a result of what?

Fox Mulder

The paramedics are at a loss to explain that. But if what you're saying is true, that Harold stopped taking his medication, then that could have been a factor in his death. At least in the visions that he was seeing.

Dana Scully

Harold Spuller wasn't dying. He was killed as a result of what that woman took away from him.

Fox Mulder

Is that your medical opinion?

Dana Scully

I saw something, Mulder.

Fox Mulder

What?

Dana Scully

The fourth victim. I saw her in the bathroom before you came to tell me.

Fox Mulder

Why didn't you tell me?

Dana Scully

Because I didn't want to believe it. Because I don't want to believe it.

Fox Mulder

Is that why you came down here? To prove that it wasn't true?

Dana Scully

No. I came down here because you asked me to.

Fox Mulder

Why can't you be honest with me?

Dana Scully

What do you want me to say? That you're right? That I believe it, even if I don't? Is that what you want?

Fox Mulder

Is that what you think I want to hear?

Dana Scully

No.

Fox Mulder

You can believe what you want to believe, but you can't hide the truth from me. Because if you do, then you're working against me. And yourself. I know what you're afraid of. I'm afraid of the same thing.

Dana Scully

The doctor said I was fine.

Fox Mulder

I hope that's the truth.

Dana Scully

I'm going home.

[ siren wailing ]

About this transcript

The dialogue comes from the official DVD subtitle track supplied by Boggsfiles. Speaker and scene attribution was cross-checked against character-labelled reference material. Subtitle wording is preserved while capitalization and spacing are standardized for easier reading.