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TRUTH STILL MATTERS
Transcripts / Season 2 / Irresistible
Season 2 · Episode 13

Irresistible

Character-labelled dialogue prepared from the official DVD subtitle track.

Production code2X13Original airdate · January 13, 1995
271 dialogue entries
Scene 01

JANELLI-HELLER FUNERAL HOME

Young Woman

I think we all feel an empty place. Everybody loved jennifer. Not just because she was a special person, but because she was the kind of friend... Who was always there for you. We'll miss you, jen. We'll miss your smile. We'll miss the times we would have spent together.

[ sniffles ]

Young Woman

We'll keep these memories close to our hearts... Until we meet again in god's kingdom.

[ people sobbing ]

Toews

The family has requested a graveside service now. I've rescheduled the burial to tomorrow afternoon. We'll keep the body overnight.

Donnie Pfaster

Such a beautiful girl.

Toews

Hello? Who's there? I said, "who's there?" oh, god. [ breathing heavily ] Donnie. What the hell are you doing here this late?

Donnie Pfaster

Working.

Toews

Working? At this hour? What is this? What the hell were you doing? Get out of here. You freak! Get out of here, and don't come back.

Scene 02

GRAVEYARD

Toews

I should report you! Just go on! Get out of here!

Agent Moe Bocks

Minneapolis p.d., saying they wanted the FBI to come out and take a look. Anything slightly freakazoid, that's the drill, call moe Bocks, as if I'm tight with all the nutcases in town. So, I shoot on down here to see what's the what, and I'll be damned if I'm not knocked on my butt by what they show me. Twenty-two years, I've never seen anything like it. I get one look at the corpse, and I'm on the phone to my pal, andy snider, down at the mutual UFO network. You know andy. He knows you. No, I don't.

Fox Mulder

Why'd you call mufon?

Agent Moe Bocks

I wanted to see if there'd been much UFO activity in the area.

Fox Mulder

You think this grave was unearthed by aliens, agent Bocks?

Agent Moe Bocks

Well, it has all the telltale signs, don't you think? I mean, according to the literature.

Fox Mulder

Literature?

Agent Moe Bocks

The hair and nails have been cut away, sort of like they do in cattle mutilations.

Fox Mulder

I hate to disappoint you, but this doesn't look like the work of aliens to me.

Agent Moe Bocks

No? How can you be sure?

Fox Mulder

I've seen this kind of thing before when I worked at violent crimes. Whoever dug this up probably used a backhoe. If you take a cast of the ground in the area, you'll probably find fresh new tracks... Leading from here to a garage nearby.

Agent Moe Bocks

You think?

Fox Mulder

He may work here, but it's not likely. He's probably worked at a mortuary or a cemetery at one time or another. Probably even been busted, but you won't find any record of that. It has to be bad for business when those kind of stories get around.

Agent Moe Bocks

You're saying some human's been doing this?

Fox Mulder

If you wanna call them that. You okay, Scully?

Dana Scully

Yeah. I've read about cases of desecrating the dead before, but this is the first time I've seen it.

Fox Mulder

Nothing can prepare you for it. It's almost unimaginable.

Dana Scully

Why do they do it?

Fox Mulder

Well, some people collect salt and pepper shakers. Fetishists collect dead things-- fingernails and hair. No one quite knows why. Though, I've really never understood salt and pepper shakers myself.

[ police radio chatter ]

Dana Scully

Sometimes you surprise me, Mulder. Why's that? How that didn't shock you back there.

Fox Mulder

I prepared myself for it before we left Washington.

Dana Scully

You knew this wasn't UFO-related from the start?

Fox Mulder

I suspected as much, yeah.

Dana Scully

It took us three hours to get here. Our plane doesn't leave until tomorrow night. If you suspected--

Fox Mulder

Vikings versus redskins, Scully. Forty-yard line in the hubert h. Humphrey metrodome. You and me.

Scene 03

FICICELLO FAMILY FROZEN FOODS.

Marilyn

Have you lived in the twin cities long, mr. Pfaster?

Donnie Pfaster

I grew up here. I was away for a few years.

Marilyn

Oh. What kind of work were you in before?

Donnie Pfaster

Cosmetology. Hair and makeup.

Marilyn

Oh. That's interesting.

Donnie Pfaster

If you don't mind my saying, that's a lovely color lipstick you're wearing. Is that "indian summer"?

Marilyn

Yes. Yes, it is. Now, you're applying for the job as the deliveryman?

Donnie Pfaster

To put myself through school. I've gone back to school.

Marilyn

Oh. And what are you studying?

Donnie Pfaster

Comparative religions.

Marilyn

Oh. Are you a religious person yourself?

Donnie Pfaster

Yes. Very.

Marilyn

You know, I probably shouldn't say this, but mr. Ficicello feels very strongly about religious backgrounds. He prides himself on the honesty of his employees.

Donnie Pfaster

Can you put that on the application?

Marilyn

I'll attach a little note.

Donnie Pfaster

Thank you.

Scene 04

Scene 04

Sports Announcer (TV)

A long, long pass. Here's carter with the catch. And carter brought down by... [ indistinct ] at the Washington five-yard line for a Viking first down.

Agent Moe Bocks

Sorry you had to miss your game, but we found more bodies dug up.

Dana Scully

Did you get your forensics report on the first one yet?

Agent Moe Bocks

There was somebody down there in the grave. Cut the hair with a pair of pinking shears. You got to wonder about this guy.

Fox Mulder

At least he wasn't down there with his dippity-do and his blow dryer. How many bodies does that make?

Agent Moe Bocks

Three in the last two days.

Fox Mulder

What else can you tell me about the desecration of the corpses?

Agent Moe Bocks

The hair was cut from the heads of two of the bodies. From the third one, the fingernails were pulled out... With what looks like a pair of needle-nose pliers.

Fox Mulder

I want you to draft an "eyes-only memo" to everyone in this office... And to all law enforcement agencies in the metropolitan area.

Agent Moe Bocks

Saying what?

Fox Mulder

That the twin cities may have an escalating fetishist on their hands.

Agent Moe Bocks

A what?

Fox Mulder

An escalating fetishist. Security should be tightened around city cemeteries, mortuaries, funeral homes, and hospitals should be notified. A story should be issued to the press... Warning of a possible stalker in the area.

Agent Moe Bocks

This isn't New York, agent Mulder. People still keep their doors unlocked here. This is gonna scare 'em.

Fox Mulder

You can leave out the more gruesome aspects in your press release.

Agent Moe Bocks

Why do you want to alarm folks if this guy only preys on dead people?

Fox Mulder

Because his compulsion is growing. He may resort to homicide to procure his corpses. Once he gets the taste of a warm body, he's probably going to want more.

[ chuckles ]

Agent Moe Bocks

Maybe I've been isolated up here in the great white north too long.

Dana Scully

What do you mean?

Agent Moe Bocks

People wondered why it took them so long to catch this kid in milwaukee, thought someone should have noticed he was killing all those young boys. Truth is, no one ever believed it could happen.

Fox Mulder

Well, if you catch this guy before he kills, maybe they can go right on believing that.

Agent Moe Bocks

We don't have the manpower or expertise to move on this with any speed. It's gonna be hard to round up anybody on a saturday. It could be monday or tuesday before we get our ducks in a row.

Sports Announcer (TV)

Up and over the top. Touchdown!

Fox Mulder

We got some work to do here. I'm gonna cancel our flight out. Scully?

Dana Scully

I'll be right there. All right.

Scene 05

AGENT BOCKS' OFFICE.

Dana Scully (voice-over)

A complete model or psychological profile... Of the death fetishist does not exist. The compulsion is the result of a complex misplacement of values... And a deviation from cultural norms and social mores. He is more likely to be white, male, and of average to above-average intelligence. Cases of fetishist with iqs over 150 have been documented. The progression of the pathology can be traced... From the fantasy stage to the eventual acting out of fetishistic impulses, including opportunistic homicide. Agent Mulder believes strongly that the suspect in this case... Is escalating towards this action. Once he begins to murder, it is the killing that draws attention away from a deeper motive, a motive which most people, including law enforcement professionals, dare not imagine. It is somehow easier to believe, as agent Bocks does, in aliens and UFO's... Than in the kind of cold-blooded, inhuman monster... Who could prey on the living to scavenge from the dead.

Prostitute

♪♪ [ pop ] okay, you got a date.

Scene 06

Scene 06

Satin

Hi there. Hi.

Donnie Pfaster

Hi.

Satin

Are you looking for a date?

Donnie Pfaster

Yes.

Satin

Why don't you pull up around the corner over there?

Donnie Pfaster

Well, actually, I was thinking of a couple of hours.

Satin

Oh. [ laughs ] what do you have in mind?

Scene 07

DONNIE'S APARTMENT.

Satin

Don't you have any heat in here? It's freezing.

Donnie Pfaster

The forced-air unit is broken. I'd like to run you a bath.

[ water running ]

[ turns off water ]

Donnie Pfaster

Is your hair treated?

Satin

What?

Donnie Pfaster

Do you need a shampoo for chemically-treated hair?

Satin

You want me to shampoo my hair?

Donnie Pfaster

I'll pay extra if that's something out of the ordinary.

Satin

Well, nobody's ever asked me.

[ telephone rings ]

[ ring ]

Donnie Pfaster

Excuse me. [ ring ]

[ ring ]

[ ring ]

Donnie Pfaster

Hello.

Marilyn

Is this mr. Pfaster?

Donnie Pfaster

Yes.

Marilyn

This is Marilyn at ficicello frozen foods. Sorry to bother you so late, but I'm calling to say you've been hired. We'd like you to start right away.

Satin

What's going on here? The water is ice-cold. What kind of sick freak are you? Oh, my god.

Marilyn

Mr. Pfaster?

Donnie Pfaster

Yes, that's wonderful news. Thank you so much.

Satin

Don't you come near me. I mean it. Don't you touch me! Stay away from me! Keep away from me! Don't you come near me.

Scene 08

Scene 08

[ screaming ]

[ police radio chatter ]

Agent Moe Bocks

We're still waiting for someone to ID the body. Judging from the area, I'd say she's probably a working girl watch your step.

Prostitute

Oh! Oh, my god. Oh, my god. Oh. Who did this to her?

Fox Mulder

Was it him?

Agent Moe Bocks

Looks like it. Knife wound the length of the torso, cut all her hair off, took her fingernails. This time he took some fingers too. Wanna see the body? Yeah.

Dana Scully

I need a minute.

Scene 09

NICE NEIGHBOURHOOD

Investigator

Hey, let him take a look.

Donnie Pfaster

Hi. I'm your new deliveryman.

Ellen

Oh, hi. Come in. Did they give you skip's old route?

Donnie Pfaster

Yes, I think so. I've just started with the company.

Ellen

Skip's been delivering to us for so long... We always took it for granted he'd always be around, since before the kids were born. Lisa, this is, uh--

Donnie Pfaster

Donnie. Donnie Pfaster.

Ellen

He's taking over for skip.

Lisa

Oh, hi. I'm going to go over to steve's now, okay?

Ellen

Okay. You have a good time.

Lisa

Okay. Bye.

Donnie Pfaster

Bye.

Ellen

We have three daughters.

Donnie Pfaster

Oh. Pardon me. May I use your washroom to wash up my hands?

Ellen

Oh, sure. There's a washroom just off the service porch. Oh. I just wanted to tell you, if we're ever not home, we always leave the back door open here.

Donnie Pfaster

Oh, thank you. I'll remember that.

Scene 10

COUNTY MORGUE.

Dana Scully (voice-over)

Death is a recorded event. For reasons natural or unnatural, when a body ceases to function, the cause of the effect can be clearly reconstructed. A body has a story to tell.

Dana Scully

The time is 11:14 a.m., monday, november 14. The deceased is a female in her twenties.

Dana Scully (voice-over)

If the victim was strangled, an examination of the veins in the eyes will reveal this. If the victim was shot, entry wounds and gunpowder residue... Can be used to reconstruct the events leading to death... And help to establish a possible motive. Hair and fibers, slivers of glass, can serve to recreate the circumstances under which death occurred. It may be an irony only understood by those of us who conduct these examinations, that death, like life itself, is a drama with a beginning, middle, and end. It is my opinion, having conducted this examination, that the victim died a wrongful death... For the express purpose of extracting her hair and fingernails. The time of death cannot be accurately determined, due to what I believe must have been immersion in a cold environment, most likely water. For the record, it is also my opinion that outside of child homicide, which may be more tragic and heinous, this is one of the most angry and dehumanizing murders imaginable.

Prostitute

Uh-uh. I just don't know.

Agent Moe Bocks

Look at each man carefully.

Prostitute

He's none of those guys. He was ordinary. He didn't look like no freak.

Agent Moe Bocks

You remember what kind of car he was driving? What color it was?

Prostitute

I think it was white.

Agent Moe Bocks

Okay, you can go. Just leave a number and an address where you can be reached.

Prostitute

Are you gonna catch this guy?

Agent Moe Bocks

We'll catch him.

Fox Mulder

It might be a good week to take that paid vacation the boss owes you.

Prostitute

Yeah, right.

Agent Moe Bocks

If this guy looks regular-like and he doesn't have a record, he's gonna be near impossible to find.

Fox Mulder

Until he kills again, or until we can determine what's driving him.

Agent Moe Bocks

I read your profile. It sounds like a guy who can't make it with women, which would explain the hooker.

Fox Mulder

No. No, the hooker was just convenient. He's after trophies. His victim was a young attractive woman. The corpses he dug up were all young women. So, what's fueling his need? What's important about the hair and fingernails to him? It's almost as if it's not enough they're dead. He's got to defile them. There's a deeper psychosis at work here. It's an unfathomable hatred of women, probably going back to his mother.

Agent Moe Bocks

I'd say she's pretty fried at him too.

Fox Mulder

I think the next thing we have to do... Is call all the psychiatric facilities in the area... And ask them if they have records of patients with similar pathologies. This kind of a monster isn't made overnight. He's been developing this fetish for years.

Scene 11

A CLASSROOM

Teacher

The necessity of the story, myth, in a culture is almost universal. We think of myths as things that entertain or instruct, but their deeper purpose is often to explain, or make fanciful, desires, wishes, or behavior... That society would otherwise deem unacceptable. Because they are conveyed in a wrapping of untruth, the story, these thoughts become harmless fiction. Take for example the stories we recite to our children-- snow white. Alice in wonderland. The subtextual themes when the queen orders, "off with her head!" or the Prince awakens sleeping beauty with a kiss, are what freud would describe as death wish imaginings.

Scene 12

PARKING LOT

Donnie Pfaster

♪♪ [ humming ] ahem. Excuse me. I'm in your mythology class.

Coed

Uh-huh.

Donnie Pfaster

My name's Donnie. I sit a couple of rows over. Maybe you've seen me.

Coed

I-I don't know.

Donnie Pfaster

I know. You sit up front. I just-- see, I was going to my car, and I saw you. Did he ask us to read chapters ten and eleven, or eleven and twelve?

Coed

Oh. I-I think it was, uh--

[ sighs ]

Coed

Oh, it was chapters ten and eleven.

Donnie Pfaster

Oh, thanks. Yeah. I have to go now. Don't go.

Coed

Let go of the door.

Scene 13

COUNTY MORGUE.

Coed

Help, someone! Help!

[ telephone rings ]

[ gasps ]

[ ring ]

[ picks up receiver ]

Dana Scully

Hello.

Fox Mulder

Scully, it's me. They've arrested somebody they think may be our guy.

Dana Scully

I'll get dressed.

[ door buzzes ]

Scene 14

JAIL BLOCK

Agent Moe Bocks

He's got a history of assault. 911 call came in from a security officer who saw it happen. She hurt him pretty bad. Yeah, he's definitely our guy.

Fox Mulder

Who cut him?

Agent Moe Bocks

A working girl. They're all carrying knives since what happened.

Fox Mulder

I'm agent Mulder. Have you been read your rights?

Suspect

I picked up this chick and brought her home. I paid her the money. Then she hauls out this knife. What am I supposed to do? I smacked her a couple of times. Self-defense.

[ man continues, indistinct ]

Fox Mulder

He's not our guy.

Agent Moe Bocks

I thought we had him.

Fox Mulder

We're back to square one.

Dana Scully

Mulder, can I have a minute with you?

Agent Moe Bocks

Oh, I'll wait out front.

[ door buzzes ]

Dana Scully

I think I might better drive this investigation... If I could focus on the evidence.

Fox Mulder

What are you suggesting?

Dana Scully

That I take the body back to Washington. I could run it through the fingerprint lab there. You know those guys, they can pull a print--

Fox Mulder

If you're having trouble with this case, I want you to tell me.

Dana Scully

I'm not having trouble, Mulder.

Fox Mulder

I'd understand. I mean, it's not exactly easy to stomach.

Dana Scully

I'm fine. Really, I just think we're a long way from catching this guy. If we could get a print, we'd have something to focus on, but right now, we're at a standstill.

Fox Mulder

I think it's a good idea. I just don't want you to think you have to hide anything from me. I've seen agents with 20 years' field experience... Fall apart on cases like this.

Donnie Pfaster

I have.

Dana Scully

I'm fine. I can handle it.

[ door buzzes ]

Donnie Pfaster

Hey. What's your name?

Suspect

You talkin' to me?

Donnie Pfaster

Yeah. Were those FBI agents?

Suspect

Yeah.

Donnie Pfaster

Well, what were they asking you?

Suspect

They thought I was some freak... Who's been digging up corpses. Man, I'm in enough trouble already. Who?

Donnie Pfaster

The younger agents.

Suspect

Oh. Uh, I don't remember his name. She was Scully, like that baseball announcer.

Jailor

Let's go, mr. Pfaster.

Donnie Pfaster

Go where?

Jailor

The lady's dropped the charges against you. They're letting you out as soon as you talk to a psychiatric social worker.

Scene 15

FBI HEADQUARTERS

Examiner

At first glance, there's not much to work with. Satin doesn't hold a print real well. There may be a latent somewhere in these blood stains. I suspect the killer wore gloves.

Dana Scully

The body was shipped on my flight. It should be here within the hour.

Examiner

We'll take a look. How long you in town for, agent Scully?

Dana Scully

I have a flight back to Minneapolis booked for tonight, but, um, I might cancel.

Examiner

I've put all other work aside.

Dana Scully

Thanks.

Scene 16

FBI HEADQUARTERS.

Dana Scully

You think that you find a way to deal with these things. In med school, you develop a clinical detachment to death. In your FBI training, you are confronted with cases, the most violent and terrible cases. You think you can look into the face of pure evil, and then you find yourself paralyzed by it.

Karen Kosseff

Are you aware that you've been talking about yourself in the second person?

Dana Scully

No. Was I?

Karen Kosseff

Do you know why?

Dana Scully

Um... Probably as another way of trying to detach myself from it.

Karen Kosseff

You're a very strong person. You've probably always felt you can handle any problem by yourself. But you feel vulnerable now. Do you know why that is?

Dana Scully

No.

Karen Kosseff

Is it your partner? Is there a problem with trust?

Dana Scully

No. I trust him as much as anyone. I trust him with my life.

Karen Kosseff

Can you talk to him about the way you're feeling?

Dana Scully

I don't want him to know how much this is bothering me. Um... I don't want him to feel like he has to protect me.

Karen Kosseff

I know you lost your father last year. And, uh, I read in your file... That you were very ill recently, that your life was threatened. These exposures can leave you extremely vulnerable.

Dana Scully

I know these things. I'm conscious of them. I-- I know that the world is full of predators, just as it has always been, and I know that it is my job to protect people from them. And I have counted on that fact... To give me faith in my ability to do what I do. I want that faith back. I need it back.

Scene 17

FBI HEADQUARTERS

Examiner

That's great. Ah, there you are. I've been looking for you.

Dana Scully

I had a meeting.

Examiner

I got good news.

Dana Scully

What did you find?

Examiner

There was nothing on the sheets, but we pulled something nice off the body. The guy cut her fingers off, right? But not all of them. On her right hand, he left a thumb. I pulled this off the nail polish. There must have been a struggle before he killed her, before he put the gloves on.

Dana Scully

I got to call agent Mulder.

Examiner

Somebody called for you.

Dana Scully

Who?

Examiner

An agent working out of Minneapolis. I told him you were out. You had a flight booked back tonight.

Dana Scully

Was it agent Mulder?

Examiner

I didn't recognize the name.

Dana Scully

Did you tell him about the print?

Examiner

Hadn't found it yet.

FBI Agent

[ man ] take a look at this.

Fox Mulder

Mulder.

Dana Scully

Hi. It's me. We got a print.

Fox Mulder

Scully got a print.

Agent Moe Bocks

Fantastic.

Dana Scully

I'm gonna modem it to you to see if you can run a match.

Fox Mulder

Are you staying on there, Scully?

Dana Scully

No, I'm coming back tonight.

Fox Mulder

Look, I know this is a pretty horrific case,

Dana Scully

But if-- I'm okay with it, Mulder. Anyway, you could use my help.

Fox Mulder

Always.

Dana Scully

You or agent Bocks didn't call here looking for me, did you?

Fox Mulder

Did you call Scully? No. Hmm. Okay. Well, I'll see you when I get there.

[ hangs up ]

Fox Mulder

All right.

Scene 18

DONNIE PFASTER'S APARTMENT.

Agent Moe Bocks

Go! FBI! I'll take the bedrooms!

FBI Tactical Officer

Move it! Move it! Move it! Team two, go. Go! Around back. Team one, what is your status? We're clear back here! Clear!

FBI Agent

Bill.

Agent Moe Bocks

I think it's human hair. Suspect does not appear to be at home. Let's put out an a.p.b. On donald addie Pfaster, age 28.

Fox Mulder

Moe, take a look at this.

Scene 20

AGENT BOCKS' OFFICE

Fox Mulder

She should be here.

Agent Moe Bocks

She was on the plane. It landed three hours ago.

FBI Agent

We found agent Scully's car.

[ siren wails ]

Agent Moe Bocks

Pull it in over here.

Scene 21

A ROAD

Fox Mulder

She was forced off the road. Looks like a white car. Get one of your men. Get a sample of this paint to Washington. If we're lucky, we can get a make and model of the car by morning. We're gonna find her.

[ siren wailing ]

[ water running ]

Scene 23

BOCKS' OFFICE.

Agent Moe Bocks

Nothing registered to donald Pfaster? Right. Right. Got it. The paint is called "ivory bone." it's a two-step enamel used by three makers of late-model, midsize cars. They estimate there may be about 60,000 cars... That fit that description in the metropolitan area.

Fox Mulder

Nothing?

FBI Agent

Nope.

Fox Mulder

No one saw her leave the rental agency? There was no attendant in the area? That's all we got. You know, people videotape police beatings on darkened streets. They manage to spot elvis in three cities across america every day, but no one saw a pretty woman being forced off the road in her rental car.

Agent Moe Bocks

He could have taken here anyplace. How are we gonna find her?

Fox Mulder

Well, um, we gotta start at the beginning. You know, as nasty as it might sound, we gotta try and get inside this guy's head. Where would he go?

Agent Moe Bocks

Anywhere but his mother's, right?

Fox Mulder

Why do you say that?

Agent Moe Bocks

Being he's so pissed off at her from what your profile says.

Fox Mulder

Do we know where his mother lives?

Agent Moe Bocks

I don't know.

Fox Mulder

Let's find out.

Scene 25

BOCKS' OFFICE

[ typing ]

Agent Moe Bocks

The mother lives in Boca Raton, Florida. Correction. She used to live there. She died a year ago.

Fox Mulder

Does she have a car registered to her?

[ sighs ]

[ typing ]

Agent Moe Bocks

Late-model white sedan.

Fox Mulder

Maybe he inherited the car. Maybe Boca Raton was a winter house. Does she have a residence here in Minneapolis?

Scene 26

BEDROOM

[ moaning ]

Dana Scully

Get the hell away from me!

Donnie Pfaster

Don't be afraid. Is your hair normal or dry? Where are you going? There's no way out, girlie girl.

[ footsteps ]

Donnie Pfaster

I know this house, girlie girl. There's nowhere to hide.

[ clicking ]

[ door squeaks ]

Dana Scully

Oh! Aah!

FBI Tactical Officer

Move! Move!

Fox Mulder

Federal agents! Hands in the air! Hands in the air!

Agent Moe Bocks

Step over and cuff him. Let me get some paramedics here now!

Dana Scully

Just help me get my wrists untied.

FBI Agent

We're all clear here, chief.

Dana Scully

How did you find me?

Fox Mulder

His mother used to own the house, willed it to his sisters. Patrolman saw his car out back.

Agent Moe Bocks

Get him out of here.

Fox Mulder

You want to sit down, let somebody take a look at you?

Dana Scully

I'm fine, Mulder.

[ sobbing ]

Fox Mulder

It's all right.

Scene 27

Scene 27

Fox Mulder (voice-over)

The conquest of fear... Lies in the moment of its acceptance... And understanding what scares us most is that which is most familiar, most commonplace. That boy next door, Donnie Pfaster, the unremarkable younger brother of four older sisters, extraordinary only in his ordinariness, could grow up to be the devil in a button-down shirt. It's been said that the fear of the unknown is an irrational response... To the excesses of the imagination, but our fear of the everyday, of the lurking stranger... And the sound of footfalls on the stairs, the fear of violent death and the primitive impulse to survive... Are as frightening as any X-File, as real as the acceptance that it could happen to you.

About this transcript

The dialogue comes from the official DVD subtitle track supplied by Boggsfiles. Speaker and scene attribution was cross-checked against character-labelled reference material. Subtitle wording is preserved while capitalization and spacing are standardized for easier reading.